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  • 《黑神话:悟空》

    遇见山西 - 古建数字艺术展

    《Black Myth: Wukong》 Encounter Shanxi – Digital Architecture Art Exhibition

    - Year |2025

    - Place |中国·山西

    - Digital Culture Tours|数字文旅

    - Beijing Studio10 Media Technology Co., Ltd.

  • 在山西,2.8万余处古建筑像璀璨的珍珠点缀着表里山河,是全国唯一保存了从唐至清各时期木结构古建筑的省份,境内元代及元代以前的木结构古建筑占全国的80%以上,被誉为没有围墙的“中国古代建筑艺术博物馆”。

    如何让这些跨越时光的文化瑰宝真正走进大众视野、被更多人读懂?「黑神话:悟空」的到来给出了这份独特答案。

    Shanxi is home to over 28,000 ancient buildings, dotted like bright pearls across its "internal rivers and external mountains" (a traditional term for its geography). As China’s only province preserving wooden-framed ancient structures from the Tang to Qing dynasties, it holds over 80% of the nation’s surviving wooden buildings from the Yuan Dynasty and earlier, known as an "open-air museum of ancient Chinese architectural art".How can these cultural treasures, which have transcended time, truly enter the public eye and be understood by more people?The arrival of Black Myth: Wukong offers a unique answer to this question.

  • 「黑神话:悟空」遇见山西——古建数字艺术展是“游戏科学”官方授权的重磅展览,是全球少有的“游戏IP”与“古建文化”深度融合的数字艺术空间。

    游戏NPC“八戒”打破次元壁, 以 2230㎡ 沉浸空间为叙事载体,带领游客开启返本还原、晋筑探秘、古建寻迹、再见上下、有情有欲五大展区。用超过40分钟的超现实数字光影,走进"游戏视角"中山西古建的真实世界。

    The Black Myth: Wukong Encounter Shanxi – Digital Architecture Art Exhibition, officially authorized by Game Science, is a rare digital art project that deeply integrates game IP with ancient architectural culture. The game’s NPC Bajie breaks the boundary between worlds. Taking the 2,230-square-meter immersive space as the narrative carrier, he leads visitors through five major sections — Origin Reconstruction, Jin Architecture Exploration, Traces of Ancient Architecture, Beyond Rivalry, and Sentient Desire. Through over 40 minutes of surreal digital light and shadow, visitors step into the real world of Shanxi’s ancient architecture from a game-inspired perspective.

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  • | 实体雕塑投影 Sculptural Projection

    悬空寺的3D还原模型与木雕模型并肩而立

    4分钟光影互动在墙面与地面间流转

    不仅勾勒出其“凌空而出、倚山而立”的奇景

    更将古代诗人的咏叹与匠人开凿的身影徐徐铺展

    The 3D reconstructed model of the Hanging Temple stands side

    by side with a handcrafted wooden sculpture

    A four-minute light-and-shadow interaction flows

    across the walls and the floor

    not only outlining its breathtaking sight of

    “emerging from the cliff and standing against the mountain,”

    but also unfolding the verses of ancient poets and

    the silhouettes of artisans carving it long ago

  • | 三维投影映射 3D Projection Mapping

    展览中高5.5米的应县木塔模型

    由非物质文化遗产项目代表性传承人雕刻而成

    模型搭配数字光影特效

    动态演绎四季流转、日月星辰的交替

    直观感受这座千年古塔在时光中岿然不动的坚韧

    In the exhibition, a 5.5-meter-tall model

    of the Yingxian Wooden Pagoda is handcrafted by

    an inheritor of an Intangible Cultural Heritage project

    Enhanced with digital light and shadow effects,

    the model dynamically portrays the changing of

    seasons and the movement of the sun, moon

    and stars — allowing visitors to feel the enduring strength of

    this ancient pagoda standing firm through the passage of a thousand years

  • | 裸眼3D影片 Naked-Eye 3D Film

    在山西的高天厚土之间

    一座殿宇承载了人间对秩序的想象

    星宿为序,神像为仪,木作如法

    玉皇庙将天象转译为建筑

    将秩序凝于塑像

    万象皆肃,四时有形,天道在人间栖息

    Amid the vast skies and deep earth of Shanxi

    a single temple carries humanity’s imagination of cosmic order

    Stars define the sequence, deities set the ritual

    and timber follows sacred craft

    The Jade Emperor Temple translates celestial patterns into

    architecture and embodies cosmic order through its sculptures

    All phenomena stand in reverence

    the seasons take visible form — as the way of

    heaven finds its dwelling among humankind

  • | 红外追踪交互 Infrared Tracking Interaction

    永乐宫三清殿《朝元图》中

    近三百位神祇气象万千

    线条如行云流水,色彩历久弥新

    堪称中国绘画史上的 “活化石”

    利用数字扫描还原,通过手电筒轻轻点亮

    千年神祇仿佛穿越时光“窃窃私语”

    In the Three Pure Ones Hall of Yongle Palacethe Chaoyuan Tu

    portrays nearly three hundred deities in majestic procession

    Its flowing lines move like drifting clouds

    its colors remain vivid through the centuries —

    a true “living fossil” in the history of Chinese painting

    Digitally restored through high-resolution scanning

    the mural reveals itself as you gently illuminate it with a

    flashlight — and the deities of a thousand years seem to whisper across time

  • | 部分手绘图形设计 Hand-drawn graphic design

  • | 镜面映射投影 Mirror Mapping Projection

    小西天,原名千佛庵

    位于隰县城西北一里处的凤凰山巅

    千佛庵大雄宝殿保存较多明代的彩色悬塑

    全堂彩塑是中国较为少见的彩色艺术群塑

    具有不可估量的历史和艺术价值

    堪称是“中国悬塑艺术博物馆”

    Xiaoxitian, originally named Qianfo’an

    is located atop Phoenix Mountain

    about one li northwest of Xixian County

    The Mahavira Hall preserves a significant number of

    Ming-dynasty colored hanging sculptures

    Its full ensemble of painted sculptures is one of the rarest examples of

    polychrome group sculpture in China

    of immeasurable historical and artistic value —

    a veritable museum of Chinese hanging sculpture art

  • 展区「古建寻迹」部分以时间线索概述山西古建的主要脉络;我们在其中设置的数字互动屏以结构化方式整合并呈现相关建筑资料。将结构图像、历史节点与典型细部以分层方式组织,通过触控与手势识别实现信息的动态响应。观众在滑动、点击或以特定手势触发时,界面会依次展开对应建筑的关键内容,如形制特点、空间关系或图像细节等。互动屏以多级跳转与视觉化呈现的方式,使观众在沉浸环境中能更主动地探索、阅读与理解古建信息。

    The “Traces of Ancient Architecture” section presents the main timeline of Shanxi’s architectural heritage. A digital interactive screen structures and displays key architectural data, layering structural diagrams, historical milestones, and characteristic details. Through touch and gesture recognition, visitors can reveal information such as formal features, spatial relationships, and detailed imagery. Multi-level navigation and visualized responses allow visitors to actively explore and understand ancient architecture within the immersive environment.

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  • | 多维图像交互 Image Interaction

  • 山西省委常委、宣传部部长张碧涌表示,此次展览是积极探索“文化+科技”“文旅+数字”融合路径,推动中华优秀传统文化创造性转化、创新性发展的重要举措,山西将以此为契机,持续推动数字技术与传统文化深度融合,打造更多具有影响力的文化品牌。

    Zhang Biyong, Member of the Standing Committee of the Shanxi Provincial Party Committee and Head of the Publicity Department, stated that this exhibition represents an active exploration of the integrated pathways of “Culture + Technology” and “Culture & Tourism + Digitalization.” It is an important initiative to promote the creative transformation and innovative development of China’s fine traditional culture. Shanxi will take this opportunity to further advance the deep integration of digital technology and traditional culture, fostering the creation of more influential cultural brands.

  • THANKS.

    Beijing Studio10 Media Technology Co., Ltd.

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    Studio10北京十号传媒是一家专注于艺术设计与多元数字科技融合的新媒体数字艺术创作公司。自成立以来,我们始终以多维度创新为驱动力,打破学科边界,跨越空间、行为、影像、声音等多个领域,构建全新的感知方式与深度沉浸的应用场景。 Beijing Studio10 Media is a new-media digital art company dedicated to integrating artistic design with diverse digital technologies. Since its establishment, the studio has been driven by multidimensional innovation, breaking through disciplinary boundaries and extending across space, performance, imagery, and sound. It strives to create new modes of perception and deeply immersive application scenarios.
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