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“壁彩京华——首都壁画彩塑数字光影艺术巡展”于中国工艺美术馆盛大开展

"Bi Cai Jing Hua: Capital Mural and Painted Sculpture Digital Light and Shadow Art Touring Exhibition" grandly opens at the China National Arts and Crafts Museum.

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2026年6月12日,由国家艺术基金指导、中央美术学院主办的国家艺术基金2025年度传播交流推广资助项目「壁彩京华——首都壁画彩塑数字光影艺术巡展」,正式在中国非物质文化遗产馆内四层5展厅对外开放。继今年1月北京坊首站之后,巡展第二站选择在"文化和自然遗产日"期间启幕,将深藏京郊古寺的不可移动艺术瑰宝,借助数字科技转化为一场可观、可感、可参与的当代文化体验。

On June 12, 2026, Bi Cai Jing Hua – Touring Exhibition of Digital Light and Shadow Art Featuring Beijing Murals and Painted Sculptures, a 2025 Communication and Promotion Project funded by the National Arts Fund, guided by the National Arts Fund and hosted by the Central Academy of Fine Arts, officially opened to the public in Exhibition Hall 5, 4th Floor, China Intangible Cultural Heritage Museum. Following its debut at Beijing Fun in January, the second stop of the touring exhibition kicks off during Cultural and Natural Heritage Day. It leverages digital technology to transform immovable artistic treasures hidden in ancient temples on Beijing’s outskirts into an immersive contemporary cultural experience accessible to viewing, perception and interaction.

展览以北京地区明清皇家寺观壁画与彩塑为核心,聚焦法海寺、大慧寺等京师皇家寺院群的艺术瑰宝,从历史渊源、工艺技法到文化内涵进行系统梳理,呈现明代院体壁画彩塑在中国美术史上的独特地位。展览融合数字扫描、沉浸、交互、游戏等数字科技,将不可移动的壁画与彩塑转化为可感可触的具身体验,融学术研究、数字展示、非遗技艺与文创转化于一体,是传统壁画在数字时代创造性转化的一次集中呈现。

Focusing on Ming and Qing imperial murals and painted sculptures at Beijing’s Fahai Temple, Dahui Temple and other royal monasteries, the exhibition sorts out their history, craft and cultural value, highlighting the unique status of Ming court-style Buddhist art.With digital scanning, immersive projections, interactive and gamified installations, it turns immovable relics into vivid sensory experiences. Integrating academic research, digital display, intangible heritage craft and cultural creation, it fully demonstrates the innovative digital transformation of ancient murals.

(文中内容来源于:中国工美馆 中国非遗馆)

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