“华彩万象-石窟艺术沉浸体验”在台湾佛光山佛陀纪念馆开展

2025年11月1日，由中国国家博物馆、财团法人佛光山文教基金会主办，财团法人人间文教基金会、佛光山佛陀纪念馆承办的“华彩万象-石窟艺术沉浸体验”在佛光山佛陀纪念馆开幕。中国国家博物馆副馆长丁鹏勃、佛光山佛陀纪念馆馆长如常法师等350人出席开幕式。

On November 1, 2025, the “Magnificence and Grandeur – Immersive Experience of Grotto Art” exhibition, hosted by the National Museum of China and the Fo Guang Shan Foundation for Buddhist Culture and Education, and organized by the Humanistic Education Foundation and the Fo Guang Shan Buddha Museum, opened at the Fo Guang Shan Buddha Museum. Deputy Director Ding Pengbo of the National Museum of China, Abbot Ruchang of the Fo Guang Shan Buddha Museum, and 350 other guests attended the opening ceremony.

展览由“菱格世界·克孜尔石窟”“万古遗珠·敦煌莫高窟”“东方微笑·麦积山石窟”“十方同源·云冈石窟”“奇崛妙境·龙门石窟”五个单元和“沉浸体验厅”共同组成，通过创新应用数字建模、AI算法、数字交互等前沿科技手段，将数字影像与佛光缘美术馆总部所藏的代表性壁画摹本、雕塑、拓片等实物展品结合展示，让观众能以更立体、更沉浸的方式触摸历史、感受艺术。本次展览是石窟艺术活化的具体举措，打开了石窟艺术全新的解析和观赏视角，也在技术和感知层面突破了传统不可移动文物展示的基础模式。

The exhibition consists of five thematic sections—“Lingge World: Kizil Caves,” “Ancient Gems: Mogao Caves of Dunhuang,” “Oriental Smile: Maijishan Caves,” “Shared Origins: Yungang Grottoes,” and “Marvelous Realm: Longmen Grottoes”—along with an “Immersive Experience Hall.” Through the innovative use of cutting-edge technologies such as digital modeling, AI algorithms, and interactive media, it integrates digital imagery with representative mural reproductions, sculptures, and rubbings from the collection of the Fo Guang Yuan Art Gallery Headquarters. This allows visitors to experience history and art in a more multidimensional and immersive way.

As a concrete practice in revitalizing grotto art, the exhibition opens new perspectives for interpreting and appreciating cave art, while also breaking through the traditional limitations of immovable cultural relic display in both technological and perceptual dimensions.

石窟寺是中国古代文化遗产的重要组成部分，是中华文明历史长河中的璀璨明珠，具有独特的历史价值、文化价值和艺术价值。希望通过此展览能够进一步推动两岸在石窟寺保护传承与展示弘扬领域的交流合作，促进两岸艺术门类互融互通、交叉融合，引导广大观众更深刻地领略石窟艺术在长期历史中形成的独特风貌与多重价值，共同推动中华优秀传统文化的创造性转化、创新性发展。

Grotto temples are an essential part of China’s ancient cultural heritage—brilliant gems in the long course of Chinese civilization, carrying distinctive historical, cultural, and artistic value. It is hoped that this exhibition will further promote cross-strait exchange and cooperation in the protection, inheritance, display, and promotion of grotto temples; foster integration and mutual learning among different art forms across the strait; and guide audiences to gain a deeper appreciation of the unique aesthetics and diverse values formed through the long evolution of grotto art, jointly advancing the creative transformation and innovative development of China’s fine traditional culture.

据悉，佛光山佛陀纪念馆持续聚焦中国石窟艺术主题，每年依据馆方展览策略筹备年度大型展览。自2019年起，先后呈现了洛阳龙门石窟、敦煌莫高窟、大同云冈石窟、甘肃麦积山石窟的佛教艺术瑰宝，吸引了数百万观众前来感受千年石窟艺术的辉煌。今年，佛光山佛陀纪念馆与中国国家博物馆合作举办此展，在延续对中国石窟艺术回顾与关注的基础上，进一步将范围拓展至中国五大石窟，将古代的石窟寺与现代佛光山建筑相互映照，呈现千年佛寺的独特韵味。

According to the Fo Guang Shan Buddha Museum, the institution has continued to focus on the theme of Chinese grotto art, organizing large-scale annual exhibitions in line with its curatorial strategy. Since 2019, it has successively presented the Buddhist art treasures of the Longmen Grottoes in Luoyang, the Mogao Caves in Dunhuang, the Yungang Grottoes in Datong, and the Maijishan Caves in Gansu, attracting millions of visitors to experience the splendor of millennia-old cave art.

This year, the Fo Guang Shan Buddha Museum, in collaboration with the National Museum of China, presents this exhibition, expanding its scope to encompass China’s five major grotto complexes. By placing the ancient grotto temples in dialogue with the modern architecture of Fo Guang Shan, the exhibition reveals the enduring resonance and distinctive charm of Buddhist art across the ages.

此展览系国家艺术基金2025年度传播交流推广资助项目，在佛光山佛陀纪念馆第四展览厅展出。

The exhibition is supported by the 2025 National Arts Fund for Communication, Exchange, and Promotion, and is on view in Exhibition Hall IV of the Fo Guang Shan Buddha Museum.

(文中内容来源于：国博君)

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